Film festival
A Tale of Two “Elysium” Movies
by: Boy Villasanta
I BECAME aware of the film title “Elysium” when I studied genre films at the 15thPuchon International Film Festival’s 4th Network of Asian Fantastic Film (NAFF) Fantastic Film School in Bucheon City in South Korea in 2011.
Interestingly, there was luncheon and pitching, rare privileges among world filmmakers to socialize and sell their idea concepts and storylines to international investors, producers and marketers apart from local Korean stakeholders for filming.
There was an exciting project that caught my attention inside one of the function rooms of Koryo Hotel where most of the project meetings were held.
I supposed the one talking before an enthusiastic multicultural audience was Nigel D’SA, the producer and actor (of the award-winning Korean-Hindu film “From Seoul to Varanasi”), who was born in London, raised in Canada and now lives in Korea. #OpinYon #ePlus #Elysium
read cont | http://bit.ly/1fHEIS9
Related articles
- Hometown (stupidhye5419.wordpress.com)
- Bucket List: 5 Fantastic Places to Visit in Korea (travel-stained.com)
- US aircraft carrier conducts military drills with S Korea, Japan (wantchinatimes.com)
- Korean Democracy at a Crossroads (isckoreamedia.wordpress.com)
- South Korea Warns North With Biggest Military Parade in Decade (bloomberg.com)
- The Cine Files in South Korea: We do it all for you! (blogs.montrealgazette.com)
- Five Taiwanese films to play at South Korean film festival (wantchinatimes.com)
- South Korea parades cruise missiles (bbc.co.uk)
- US, South Korea Agree on Expanded Nuclear Deterrence (voanews.com)
- Mother Figures: Filipino matriarchs in new local films (opinyon2010.wordpress.com)
Mother Figures: Filipino matriarchs in new local films
by: Boy Villasanta
IN the recently concluded maiden edition of the Film Development Council of the Philippines’ Sineng Pambansa National Film Festival, alternately dubbed as All Masters Film Festival, participated in by the country’s veteran directors, Filipino matriarchs were once again painted and presented in multi-colored and multi-dimensional types.
These were, more or less, underscored in the three (out of nine official entries) films we’ve watched.
In Gil M. Portes’ “Ang Tag-Araw ni Twinkle,” there were at least two mothers, one, Twinkle’s (Ellen Adarna) biological mom, a New People’s Army amazon who was shot dead by a junior military official during an encounter in the boondocks her baby wrapped in cloth around her chest during the fatal shootout, the other, the adoptive ma (Rina Reyes), the wife of senior officer General Payawal (Cris Villanueva).
In Jose Javier Reyes’ “Anong Kulay ang mga Nakalimutang Pangarap?,” there was one matriarch (each generation played intermittently by Madeleine Nicolas and Kimberly Diaz) and a surrogate one, the nanny Teresa (Rustica Carpio). #OpinYon #ePlus #entertainment
read cont | http://bit.ly/19xY9Fm
Related articles
- 2013 National Film Festival starts Sept 11 (ivejustseenafilm.wordpress.com)
- An emerging ‘summer’ of fine cinema (opinion.inquirer.net)
- All-Masters Edition: 2013 National Film Festival (rappler.com)
- Indelible portrayals buoy up uneven lineup at Sineng Pambansa (entertainment.inquirer.net)
- Theater Time: Ang Tag-araw ni Twinkle (2013) (ivejustseenafilm.wordpress.com)
- Film events push industry development (manilastandardtoday.com)
- National Film Festival at SM Cinemas (manilastandardtoday.com)
- National Film Festival features 12 of the best directors in PH (newsinfo.inquirer.net)
- Ellen Adarna takes pride in indie role (rappler.com)
- Fdcp’s All-masters National Filmfest at Sm Cinemas Nationwide (naomispenny.blogspot.com)